Mo Ganji: Umbrella Octopus | Schirmkrake | Opisthoteuthis sp. | No. 229/250 from work group 8/99
2025
Drawing pen on Post-It paper
7,5 x 7,5 cm | 2.9 x 2.9 in
Certified, dated, signed and numbered on the reverse
Serial unique artwork
No. 229/250 (unique variant)
from work group 8/99
WV|CR ART 0004479
Umbrella Octopus | Schirmkrake | Opisthoteuthis sp.
Mo Ganji turns toward the umbrella octopus — a deep-sea cephalopod inhabiting cold, lightless ocean depths — by letting the single line move toward essence rather than strangeness or concealment. The line condenses the being into a reduced coherence, setting aside depth, softness and unfamiliar anatomy so that presence can surface without explanation. In Ganji’s understanding, the line does not belong to the octopus alone; it remains open, reminding us that every figure is also a human concept provisionally attached to a reality that largely escapes direct perception.
Opisthoteuthis sp. has not been assessed as a single taxon on the IUCN Red List, as the genus comprises multiple deep-sea species with limited data. Many umbrella octopus species are known from very few specimens, and their population sizes, distributions and life histories remain poorly understood due to the inaccessibility of their habitats.
Potential threats include deep-sea fishing, seabed disturbance, pollution and the expanding reach of resource extraction into deeper waters. Because these octopuses have slow life cycles and inhabit stable, low-energy environments, even limited disturbance may have long-lasting effects. The lack of baseline data makes declines difficult to detect until they are already advanced.
Ganji’s single line opens a space in which the octopus can be encountered beyond mystery or remoteness. It allows the being to be perceived as a life unfolding beyond habitual scales of attention, suggesting how entire forms of existence can remain intact only as long as the depths they depend on are left unmeasured, unclaimed and largely unseen.
| Werkgruppe | Mo Ganji – 8. Werkgruppe ALMOST LOST |
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MAECENAS IACULIS
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